Pushpa Raj is a coolie who grew up in the world of smuggling red sandalwood. Along the way, he doesn’t hesitate to make one or two enemies.

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Review Pushpa:

The Rise, Sukumar ventures into uncharted territory making a rustic masala film filled with hard-hitting dialogue, characters who speak a Chittoor dialect, and a story rooted in the region in which it is set. And as expectations soared after Rangasthalam, what he offers turns out to be too long a bag, sometimes he falters and other times he keeps his promises.

Pushpa Raj (Allu Arjun) is one of the many coolies in Seshachalam who illegally chops red sandalwood and sells it by the kilo for powerful powers. In a union made up of many players, Pushpa slowly learns to find his position and rank until the man who would cut down those trees becomes the one giving the orders. However, his Achilles heel is not his beloved Srivalli (Rashmika Mandanna), nor the great Konda Reddy (Ajay Ghosh), Jolly Reddy (Dhananjay), Mangalam Srinu (Sunil) and his wife Dakshayani (Anasuya Baradwaj).

Pushpa : It is the fact that his brother (Ajay) will not allow him to claim his lineage, something that takes Pushpa from zero to one hundred in no time at all and often becomes the reason why this relaxed, sarcastic, arrogant and even funny loses his temper. . And just as he gets to where he wants to be in life, IPS Bhanwar Singh Shekawat (Fahadh Faasil) arrives threatening to overthrow the carefully constructed order that Pushpa has put in place.

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The Rise is based on a story often explored in cinema: the rise of the underdgo. So Sukumar has nothing new to explore here. What’s new is how he chooses to develop the story and take the time to define Pushpa’s character for an entire movie, spanning three hours, before getting into the thick of it. . And that move really might not be for everyone because, despite all the fuss, that’s essentially what this film is about. Pushpa may have made enemies of many people, but none of them seem to match his inflexible nature, that is, as far as Shekawat comes to town.

Sukumar’s film gets on well when it sticks to the story in question and focuses on the gist of the red sander smuggling problem, Pushpa’s contribution to smoothing things over, and more. Where the film falters is when it tries to create a weird (and problematic) romance between him and Srivalli that doesn’t always work or add to the larger story at hand.

Sure, Pushpa has the option of being her knight armor, but that seems to change the story in a direction she would have gone anyway. Even the final confrontation between Pushpa and Shekawat does not have the desired effect, which the character of the latter seems disappointing. The visual effects, art direction, editing, and sound design of some scenes are also disappointing.

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The Pushpa: The Rise team has made no secret of the fact that they had to rush to get the movie out on time and it shows through the cracks.Considering the length of time which already seems unjustified, the technical faults make the faults even more obvious. Where

Pushpa: The Rise shines is especially when it comes to casting, directing, photography, costumes and music. Of course, Devi Sri Prasad’s BGM can seem underwhelming at times, but his music more than makes up for it as it blends well into the story.

 Cinematographer Mirosław Kuba Brożek and director Sukumar seem to have found the perfect rhythm for this film, complementing each other in their work. Pushpa’s character costumes change depending on her position in this world. Supporting actors also have a chance to shine, though they are sometimes cast as characters who are nothing more than a stencil. testosterone. Anasuya, on the other hand, gets a scene with Sunil that proves she is worthy of this world. Samantha’s cameo in Oo Antava Oo Oo Antava elicits whistles, no one is surprised.


With all that has been said and done, Pushpa: The Rise is Allu Arjun’s show from start to finish.He shines playing this rustic character who is tough on the surface but vulnerable in a way others don’t see.

Allu Arjun fans might be happy to see him briefly shaking a leg in numbers like Saami Saami and Eyy Bidda Idhi Naa Adda but he really shines when he’s in a power struggle, with Peter Hein, RamLaxman choreographing sequences of jaw-dropping action or when he avoids being constantly called coolie oda because he knows he’s too good for whatever other people stereotype him.

He also has the chance to show it with his acting skills, aside from the dialect he worked on a lot, when it comes to a huge movie like this, he even makes people laugh sometimes. Pushpa: The Rise by Sukumar shows promise as it wraps things up and sets things up for Pushpa 2. Although the film is a mixed bag, it makes you laugh.

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